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PHILIBERT SCHOGT
THE PHILOSOPHER'S WIFE
(DE VROUW VAN DE FILOSOOF)
'Read and shiver.' Spits
'An entertaining, cleverly constructed novel...compelling.'
Volkskrant
'An engaging moral tale with a forbidding undertone
and a surprising finale.' Brabants Dagblad
'Fluently written with vivid descriptions.'
Trouw
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Vera Samson, the
35-year-old main character in THE PHILOSOPHER’S WIFE has
supported her partner Luuk van Wleuten’s ambitions for years,
emotionally as well as financially. Your time will come, she would
tell him, first during the difficult time studying philosophy,
then during his many failed attempts to find someone to fund his
research into the work of the controversial philosopher Francois
Malmedy, so that Luuk could stay home working on his book in peace,
whenever his depressions let him. But one day, shortly after a
publisher shows interest and times are therefore finally getting
better, Luuk goes off with another woman. After a difficult time
Vera has dealt with her abandonment and picked up the thread of
her life once more. Then Luuk’s book The Pain Barrier comes
out, a 950-page autobiographical search for ‘intense existence’,
as described by the philosopher Malmedy. When Vera reads a glowingly
enthusiastic review, she is shocked to discover that she is not
only mentioned by name and surname in the book, she is presented
as ‘the enemy’, the opposition that every hero, according
to Malmedy, needs to overcome to flourish. In the review Luuk
is praised for his ‘vicious and hilarious portrait of the
well-behaved, colourless Vera, who with her kind relativisms gradually
grows into a devil of mediocrity’. |
For her own self-preservation, Vera decides not to
read The Pain Barrier. But this subjects her to the shards of information
she happens to pick up from the media, acquaintances and colleagues
and especially her best friend Angela, who has offered herself as ‘taster’.
The more Vera gets to know about the book the more frightened she becomes
about what else could be in it. Her self-confidence cracks more and
more. It sends her to a place from where she comes out wiser, with her
own greatness very much intact.
Material: Finished copy (176 pages)
Sales: Arbeiderspers NL (original publisher);Garzanti Italy;
DAALDER'S CHOCOLATES (DAALDER)
'As rich and bittersweet as the best of Daalder's creations.'
Kirkus Reviews
Joop Daalder is in search of perfection. A Dutch immigrant
and celebrated chocolatier in Toronto, Joop is confronted with
ruin when a super-deli is built next to his shop, and his clientele
quickly vanish. The last straw is when the deli’s car
park is expanded and his shop has to be destroyed. Joop fights
against it, in spite of alienating his wife and being laughed
at by his son. As the plot proceeds, we learn of Joop’s
childhood, when, already an outsider in a family of intellectuals
and musicians, where food was of no interest, his taste buds
develop unnoticed by the others until he finds his vocation
and true happiness as an apprentice to master chocolatier Sorel
in France. DAALDER is about love of quality in an era of the
perfectly packaged imitation.
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| 'Taste, that is what Daalder
is all about. Daalder's talent lies in his tasting abilities.
In the end it is also the root of his downfall, because Joop Daalder
refuses to make compromises where his taste is concerned…
So Daalder is also about pride and stubbornness. These themes
stay under the surface in the novel, just as the taste-bouquet
of a good bonbon only reveals itself on the tongue … Schogt
writes in such a way that you want to know what precisely has
happened in this life. He keeps the reader sweet but not by filling
his text with frills. Simplicity in form, balance in taste - that
is the credo of the chocolatier, and clearly of this writer too.
In both cases it works… DAALDER is a tragicomedy that tastes
of more.' Algemeen Dagblad |
'DAALDER has in certain ways something in common
with Susskind's famous novel[Perfume]… In a way it is the civilised
person's version of Susskind's savage story… Schogt tells the
story calmly, without literary acrobatics or dizzy irony. His foremost
strength is simplicity and irony. He makes of Joop Daalder an intriguing
character … His depiction of his characters has something of the
great American master Updike. Without greatly stressing it, his characters
experience great conflicts. And in this way you also taste in Daalder's
life story the conflict between European and America culture, between
careful craftsmanship and quick opportunism … Schogt manages in
this unassuming novel to bring out sparks of tragedy and happiness,
passion and despair, criticism and acceptance, egoism and idealism.
In the end it has most in common with a Joop Daalder bonbon, simple,
without frills but with taste nuances that stay with you for a long
time.' Trouw
'Just as in THE WILD NUMBERS...the passion
which makes his main character shine, at the same time makes him a social
amputee… Schogt has a great story and also knows how to build
it up.' De Volkskrant
'Apart from being a novel about eating, DAALDER
is also a family saga. Schogt has a good eye for the pitfalls of upbringing…
The experiences of tasting Schogt also knows well now to put into words…
The best passages are those in which Daalder behaves as a man with a
mission. Against tastelessness, against snobbish yuppiedom.' Elsevier
Material: Dutch, German and Italian
and American editions (322 pages in English)
Sales: Arbeiderspers NL (original publisher);
Thunders Mouth Press USA; List Verlag Germany; Garzanti Italy; Patakis
Greece.
THE WILD NUMBERS
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'I have never read a better
fictional description of what it's like to work in pure math.
The masters and would-be masters of the domain; the backbiting,
and finally the bliss of finding a solution – or what you
think is a solution.... It's all here.' Amir D. Aczel.
'THE WILD NUMBERS is a delight. It provides
excellent and entertaining insights into the lives and the ill-understood
drives of working mathematicians. I strongly recommend it.' Sir
Roger Penrose, author of The Emperor's New Mind and Shadows of
the Mind
A stunning first novel about the essence of inspiration.
Swift, a 35 year old maths professor, has, after years of fruitless
labour, managed to solve the most challenging mathematical riddle
of all times - the Wild Number Problem. Then he is accused of
plagiarism.
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'Schogt is a consummate story teller. In a
gripping fictional tale of intrigue and discovery, he reveals not only
how mathematicians think, but more impressively, how their feelings
mingle with their thoughts, and their thoughts with their feelings.
An intrepid and remarkable achievement!' Hans Christian von Bayer,
author of Taming the Atom and Warmth Disperses and Time Passes.
'Even math-phobes will appreciate Schogt’s
hilarious tale of one mathematician’s academic rivalries and addle-brained
romance… This slender novel does a good job illuminating for the
uninitiated the poetry of pure mathematics.' - St. Petersburg Times
Material: Many editions
Sales: Weidenfeld & Nicholson
UK; Knaus Germany; Four Walls Eight Windows/Plume US; Polis Greece;
Guncel Turkey; Kyungmoon Korea.
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PHILIBERT
SCHOGT (1960) was born in Holland, grew up in Canada,
now lives in Amsterdam. His first novel was the internationally
acclaimed THE WILD NUMBERS.
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