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RADHIKA JHA
LANTERNS ON THEIR HORNS
| Manoj Mishra gives up his PhD and moves with his wife
to be part of KIRD – an institute that perfects artificial
insemination, fertilising the Indian cow with European sperm so
she produces more milk to end poverty in the villages. In Nandpur,
a village that has consciously decided to turn it's back on modernity,
Ramu the village charity case sneaks off and marries a beautiful
educated girl, Laxmi. A few weeks later he finds an abandoned cow
in the forest and adopts it. The two unlikely couples meet when
Manoj inseminates Ramu's no-good cow with European bull sperm and
they all rush headlong towards a confrontation in which what is
at stake is not a cow or a human, but the identity of Nandpur, and
of India, itself.
Radhika Jha’s most impressive novel to date. Her prose
is exquisite: ‘Perhaps no Indian since Ruskin Bond
has used the English language so beautifully’ The Statesman.
LANTERNS ON THEIR HORNS is being heralded in India as the first
great rural Indian novel in decades.
The vividly drawn cast of characters, the intimate social intercourse
described with playful humour, the underlying seriousness of the
themes – the juggling of the old and the new, the whole
process of modernisation – gives echoes of Naguib mahfouz
and a connection to the literary tradition of Dickens. Radhika
Jha is the kind of novelist who can deliver on several different
levels at once, while always maintaining the lightest of touches.
Material : Bound proofs
Sales: HarperCollins India (to be published September 2009);
Editions Philippe Picquier France; Neri Pozza Italy, Beautiful Books
UK (to be published lead title July 09). |
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THE ELEPHANT AND THE MARUTI
'...perhaps no Indian since Ruskin Bond, has
used the English language so beautifully.' The
Statesman
| From Shibu Mondal,
the physically challenged beggar with a dark past, to Sushila,
the child-wife who weaves colourful dreams from a pile of garbage
and hopes for a bright future unlike hers for her yet to be conceived
child, the author takes the reader through a maze of emotions.
A freak episode involving an elephant and a Maruti car affects
someone totally unrelated. The slow build-up to communal violence
where living, thinking people become nameless, mindless mobs;
the story of the young girl fascinated by the idea of beauty provides
a heady concoction with glimpses into many worlds. The author
uses language brilliantly, keeping it simple and to the point.
The narrative is taut and crisp, but there is always an undercurrent
of passion in her stories - a passion for life, for the city of
Delhi, and for the common man who rises above all odds and comes
up trumps.
This collection enhances Radhika Jha's reputation
as a writer of sensory and philosophical power. |
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Material: Finished copies (243 pages).
Sales: Penguin India; Arena Holland; Neri Pozza
Italy; Editions Philippe Picquier France; Dom Quixote Portugal; Defne
Yayinevi Turkey.
SMELL
WINNER OF THE PRIX GUERLAIN
'A novel to rival Patrick Suskind's
Perfume... An outstanding novel.' Punch
'Her writing is generous, unbridled,
sensual. In her company, one begins to rediscover Paris, its
beauty, its mirages, its traps, with a roving eye, that of the
'other', the outsider who would love a moment's respite from
the smells of exile.' Le Figaro
Number One bestseller in India and a debut
novel that charts new territory in contemporary Indian fiction.
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After the death of her father Leela’s family is forced to leave
Kenya. Leela ends up with her childless aunt and uncle in a claustrophobic
Parisian high-rise banlieu flat. This cheerless protection is short-lived
and Leela finds herself alone on the streets of an alien city. She struggles
to survive, from one job to another, one destructive relationship to
another and discovers an unusual quality in herself –her extraordinary
sensitivity to smell. A seemingly innocuous and occasionally useful
attribute, it gradually begins to colour her every emotion and response,
from sexual arousal to the enjoyment of food. But when the dark feral
stench of her own body threatens to overpower her, Leela is frightened
into the realisation that perhaps she has lost all control over her
life (307 pages).
'Two things drive SMELL with an urgency that
few Indian novels in English have been able to lay claim to –
Leela’s unusual sense of herself and the world around her, and
the passion with which Jha has invested her story… Jha dexterously
blends a witty dissection of Parisian society, French politics and expatriate
angst with one woman’s search for herself... Last year, the newspapers
were heralding the advent of a great talent in the person of Raj Kamal
Jha. They got the talent and the surname right – it’s just
the minor details that were a bit off.' Asian Age
'It is one of the most interesting books I
have read in a long, long time.' The Statesman
'This amazing first novel with philosophical
titbits strewn about like those coins in Christmas pudding could have
been an Indian take on Orwell’s DOWN AND OUT IN PARIS AND LONDON.'
India Today
Material: Finished copies
Sales: Penguin India (original publisher);
Philippe Picquier France; Neri Pozza Italy; Arena Holland; Soho Press
USA; Quartet UK; Blanvalet/Bertelsmann Germany; Natur och Kultur Sweden;
Dom Quixote Portugal; Diigisi Greece; Fuso Japan; Ediciones el Cobre
Spanish; Alfa Narodna Knjiga Serbia; Leaders Korea; Defne Yayinevi Turkey;
Editura Leda Romania.
RADHIKA
JHA is from India (born Delhi 1970), studied anthropology
at Amherst College and did her Masters in Political Science from
the University of Chicago and has lived in Paris as an exchange
student. She writes and performs Odissi dancing. She has worked
for Hindustan Times and BusinessWorld writing on culture, the
environment and the economy. She has also worked for the Rajiv
Gandhi Foundation, where she started up the Interact project for
the education of the children of the victims of terrorism in different
parts of India. She now lives in Tokyo with her husband and 2
children. |
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