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EUGENIO FUENTES
Featuring the enigmatic private detective, Ricardo Cupido, the novels
of Eugenio Fuentes are tense, beguiling, beautiful, and compellingly
written.
In his work, Eugenio Fuentes transcends the conventions of the roman
noir, looking at why a certain kind of mystery always awakes the stubborn
desire to decipher it, and the fragile line between innocence and guilt.
Fuentes accomplishes a great recreation of the European crime novel
to sit alongside those of Mankell and Camilleri.
THE
BLOOD OF THE ANGELS
(LA SANGRE DE LOS ANGELES)
'‘Without doubt we are in the presence
of a great novel.’ Revista Fusión
When lonely single parent Julian Monasterio discovers
an old pistol in his mother’s apartment, he puts it in a
safe deposit box at his bank, although it is reported missing
later the same day. At the school of his young daughter, Alba,
the popular sports’ teacher, Gustavo Larrey is later murdered
with the same gun. The Civil Guard are called in to investigate,
Julian asks a friend to make a few discreet enquiries, and, after
meeting her to discuss his troubled child, he begins a love affair
with a young school teacher named Rita. In beautifully polished
prose, Eugenio Fuentes explores the psychology and interplay of
his characters, and the love story that ensues. Ricardo Cupido
investigates. |
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In beautifully polished prose, Eugenio Fuentes explores
the psychology and interplay of his characters, and the love story that
develops after the murder.
'Eugenio Fuentes set a splendid example of the thriller genre with his
novel, El Interior del Bosque, [which was] highly praised by critics
at the time. His latest novel, La Sangre de Los Ángeles,
is set to become a touchstone in a new approach to the detective story,
a genre that is steeped in clichés and long overdue a makeover…
The reader encounters characters with complex personalities, and it
is precisely with the unravelling of these threads that the mystery
is finally solved. [...] As in a Greek tragedy, the author empowers
his characters to be masters of their own destinies. And this, in my
opinion, is the main characteristic that sets Fuentes' novels apart
from the others in this genre, his characters are not just more worker
bees in the hive of society, they question their limits.' Juan Ángel
Juristo, ABC Cultural
'Eugenio Fuentes maintains the narrative skills
achieved with El Interior del Bosque. In a precise and raw style the
author shows that not only things are not what they appear, but that
they sometimes hide old quarrels.' Antonio Bordón.
‘His writing style is literary, elegant, almost formal. His
crime books weave the investigations of his gentle private eye, Ricardo
Cupido, with an analysis of the dark side of remote Spain’
The Observer
Material: Finished copies (380 pages)
Sales: Alba Spain (original publisher); Arcadia
UK; Goldmann Verlag Germany; De Geus NetherLands.
THE DEPTHS OF THE FOREST
(EL INTERIOR DEL BOSQUE)
WINNER of the prestigious Alba/Prensa Canaria Prize 1999
'Falling in love with a dead woman has never
seemed so possible - or so strange.' Stella Duffy
'A complex, psychological
investigation.' Maxim Jakubowski
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'The dramatic
novels of Arturo Perez-Reverte have created a great appetite for
the flamboyant Spanish mystery. Eugenio Fuentes has much of his
baroque colour, though his setting is a different aspect of Spain:
a remote nature reserve, where "only man is vile''. Here,
in the depths of an ancient forest, a young artist is murdered,
the first in a series of deaths. Private detective Ricardo Cupido
returns to his home patch to investigate, and discovers the artist
was surrounded by a rather unattractive group of smart middle-class
people who might have been involved in the murders. The tensions
of the plot are wonderfully balanced with profound feeling for
the imposing forest: explorations of the secret, haunted landscape
accompany Cupido's search. The writing has a distinctive sensuality,
and the murdered Gloria is fully re-created as a complex human
being: an authorial feat rare in most crime fiction, where the
victim is so often just a stooge for the investigator. A most
welcome addition, not just to crime fiction, but to literature
in general.' Independent |
'Utterly absorbing and brilliantly translated,
this should appeal even to those not normally attracted to crime fiction.'
Guardian Review
'The plot brilliantly uses the symbolism of
dense forest as a haunted place, full of mystery. A name to look out
for by lovers of the genre.' El Pais
'It is rare that a genre novel transcends the limits of it own
conventions, to a fascinating psychological profundity and a no less
interesting argument. EL INTERIOR DEL BOSQUE is such a novel.' RAZON
'A captivating story which is outstanding by
virtue of its psychological portraits of the various suspects and the
descriptions of an enigmatic and menacing setting.' El Periodico
'An authentic mystery story in which crime
is essentially the pretext for a display of creative endeavour that
aspires to transcend the bloody murders, the mere chronicle of events,
in favour of a more ambitious and all in all convincing work of literature.'
La Vanguardia
'Fuentes’s method of story telling is
like that of the greatest novelists of all time … it is a thriller
but the treatment is intellectual and aesthetic, and even if we ignored
the detective elements we would have a novel that is fulfilling by virtue
of the quality of its writing alone.' El Periodico de Extremadura
Material: Finished copies (382pp)
Sales: Alba Spain; Gallimard
France; Klett Cotta (and DTV paperback) Germany; Marsilio Italy; Arcadia
UK & USA; Inostranka Russia; Alfa-Narodna Knjiga Serbia; Lagoudera
Greece; De Geus Netherlands; Marjan Tisak Croatia; Magyar Konyvklub
Hungary; Unis Corp Bulgaria. Radio play WDR Germany; Dom Quixote Portugal;
Kronta Lithuania.
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EUGENIO FUENTES (1958) was selected
by El Periodico as their choice author of noir writing
in a pan-European assessment of the crime genre. LAS MANOS DEL
PIANISTA (2003) was published by Tusquets and also stars Cupido.
Rights have been bought by Goldmann, De Geus, Feltrinelli, Dom
Quixote already - further rights are handled by Tusquets. |
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