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PETER ACKROYD
THAMES: SACRED RIVER
Classic Ackroyd on a classic theme. Ackroyd follows this great river
from its source to the sea and weaves his magic along the way. It covers
history from prehistoric times to the present, the flora and fauna of
the river, paintings and photographs inspired by the Thames, its geology,
smells and colours, its literature, laws and landscape, its magic and
myths, its architecture, trade and weather. The reader learns about
the fishes that swim in the river and the boats that ply on its surface;
about floods and tides; hauntings and suicides; miasmas and sewers;
locks, weirs and embankments. Peter Ackroyd has a genius for digging
out the most surprising and entertaining details, and for writing about
them in the most magisterial prose.
Material: finished copies (490pp)
Sales: Chatto & Windus UK (Sept 2007); Knaus Germany; Neri
Pozza Italy.
'At first, Thames: Sacred River appears a meditation upon the
shared subconscious but is in fact, as with the river itself, something
where one can halt at any point, cast off, and land a gem. Many readers
set about Ackroyd's London: The Biography in that random fashion,
as they did his less popular but equally engrossing study of the English
imagination, Albion. These are hefty works which can be rewardingly
snacked upon.’ Independent
'As one has come to expect from this most passionate of London
chroniclers, the research and learning is daunting. And Ackroyd's gift
is to write history in the idiom of a poet. As soon as you open this
account of the Thames, you will want to immerse yourself in it, as though
in those willow-fringed waters of Cookham. ‘ Telegraph
' Thames: Sacred River is celebratory but elegiac,
which may be the natural way with rivers that run fast and dappling,
then turn sluggish. But as always with Ackroyd, a London landmark in
his own right, it is not just the subject that sets this book apart
but also the compelling new perspectives that he brings.’ Times
'You might well think that the garlanded biographer of Dickens and Turner
was born to write this extraordinary book. Ackroyd notes how great chroniclers
of the Thames, from Chaucer to Conrad, have added to an outpouring of
poetry and prose. His own contribution is a powerful current in this
'river of words'. Observer
‘A very enjoyable and highly idiosyncratic account of the subject.
Plenty of books, sane, mad, analytical and fanciful, have been written
about the River, and plenty more will be. This one I recommend strongly.'
Philip Hensher, Spectator
THE FALL OF TROY
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‘A novel about opposites — of truth and deception,
fact and fiction, history and romance, love and loyalty. However
you read The Fall of Troy — as a love story and mystery
told in Homeric style, or as a deeper meditation on the relationship
between reality and imagination — Ackroyd the novelist
re-emerges triumphantly from the mud of his excavations.’
The Times
‘Erudite and witty. Skilfully interweaves classical and
19th century stories, employing motifs from both Homer and Charlotte
Bronte. Acroyd’s most exuberant novel in years. Inspired.’
Daily Mail
‘Has the atmosphere of a thriller, with innocents running
for their lives.’ Sunday Times
'It is Peter Ackroyd's remarkable achievement, in this
complex and fascinating novel, to take a figure who was already
a legend in his own lifetime, and recreate him as a creature
of myth ... The Fall of Troy is provoking, unsettling,
ingenious - and a delight to read.' Barry Unsworth, Guardian
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Sophia Chrysanthis is in her twenties when the celebrated German archaeologist,
Herr Obermann, seeks her out; he wants a Greek bride who is able to
read Homer. Sophia passes his test, and soon she is tying canvas sacking
to her legs so that she can kneel on the hard ground in the trench,
removing the earth methodically, identifying salient points, lifting
out amphorae and bronze vessels without damaging them. 'Archaeology
is not a science,' Obermann says. 'It is an art.' Obermann is very
good at the art of archaeology - perhaps too good. Obsessive and intuitive,
he is a romantic visionary.
Troy is the definitive city lost and found; and Peter Ackroyd - who
has a unique gift for evoking the spirit of the place - brings it electrifyingly
to life in this fascinating novel. The Fall of Troy is a dazzling
work of the imagination which, like the ancient epics so loved by Obermann,
is in part accurate and in part fantastic. It tells stories - stories
about the deaths of heroes; stories which blur the boundaries between
truth and fiction, fakes and the real thing; stories of mistakes, human
folly and the temptation to cover up...
Material:finished copies (215 pp)
Sales: Chatto & Windus UK (Sept 2006); Nan A Talese USA;
Meulenhoff NL; Diigisi Greece; Philippe Rey France; Yapi Kredi Turkey;
Olga Morozova Russia; Record Brazil; Teorema Portugal.
SHAKESPEARE: THE BIOGRAPHY
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really is a stupendous achievement… Peter Ackroyd back at
the height of his powers… a tour de force… I thought
this was absolutely tremendous.’ Sunday Times
'Fascinating. Ackroyd comes into his
own as he brings sixteenth-century Stratford to life with the
deftest touches.' Tatler
'Superb. The book Peter Ackroyd was born
to write.' Daily Mail
‘Everything one would expect from
a leading biographer at the top of his game. His recreation of
Elizabethan London is masterful. He knows the plays and understands
better than academic biographers how Shakespeare went about researching
and writing. Ackroyd’s great gift as a biographer is his
capacity to engage sympathetically with his subject. What he has
accomplished is impressive. And his biography ranks with the best
of them.’
Financial Times Magazine |
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Peter Ackroyd studies Shakespeare in the close context
of the world he lived in. In this way, he not only richly conjures up
the texture of Shakespeare’s life, but also imparts an amazing
amount of vivid, interesting material about place, period and background.
This book is packed with gems – and the reader turns the pages
eagerly, keen to absorb the next nugget of information.
Material: Finished copies (546 pp)
Sales: Chatto & Windus UK; Nan A Talese/Doubleday USA; Meulenhoff
NL; Knaus Germany; Neri Pozza Italy; Philippe Rey France; Edhasa Spain;
Partvonal Hungary; Teorema Portugal; Diigisi Greece; CoLibri Russia;
Hakusui-Sha Japan.
THE LAMBS OF LONDON
Mary Lamb is confined by the restrictions of domesticity: her
father is losing his mind, her mother watchful and hostile, and
their maidservant, Tizzy, elderly and infirm. The great solace
of her life is her brother Charles - but he feels equally constrained
by the drudgery of his work at the East India Company, taking
refuge in drink while spreading his wings as a writer. Sometimes,
in the evening, they study together. Mary reads what Charles reads.
So it is no surprise that Mary should fall for
the bookseller's son, seventeen-year-old antiquarian William Ireland,
from whom Charles has purchased a book. But this is no ordinary
book - it once belonged to William Shakespeare himself. And William
Ireland, with his green eyes and his red hair, is no ordinary
young man......... |
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The Lambs of London brilliantly creates an
urban world of scholars and entrepreneurs, actors and theatre managers,
a world in which a clever son will stop at nothing to impress his showman
father, and no one knows quite what to believe. Can Mary Lamb - vulnerable,
sheltered, idealistic - survive such an introduction to the many frailities
of human nature?
Ingenious and vividly alive, The Lambs of London
is a poignant, gripping novel of betrayal and deceit, a masterly re-enactment
of London life which keeps the reader guessing until the end.
Praise for The Lambs of London:
'The Lambs of London is a delicious
entertainment, faithful to it's period but done with the lightest of
touches. Nobody knows this world better than Peter Ackroyd, and his
latest foray into bygone London finds him at the top of his form.' The
Sunday Telegraph
'The theme and setting of this novel allow
Ackroyd's rare talent full scope. It is literary, clever, subtle and
touching, also often funny and always highly intelligent.' The Scotsman
'his book is a loving tribute.....and a dazzling
entertainment.' London Evening Standard
'..it is a delightful read, which resonates
long after it has been laid aside.' The Spectator
'...touching and ingenious..' TLS
Material: Finished Copies (216 pp)
Sales: Chatto & Windus UK; Editions Philippe Rey France;
Meulenhoff NL; Knaus Verlag Germany; Neri Pozza Italy; Edhasa Spain;
Diigisi Greece; Inostranka Russia; Teorema
Portugal.
THE CLERKENWELL TALES
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'Tremendous.' Independent on Sunday
'a truly extraordinary feat of historical
imagination.'Sunday Telegraph
'historical fiction of the utmost potency.'
Daily Mail
'...a tour-de-force, full of rich imaginings
and strange happenings. Fact is interwoven with fiction in masterly
fashion. You are invited to suspend disbelief and to enter into
a world that is at once beautiful and filthy, noble and perverse.
It is as finely wrought as an illuminated manuscript. I can’t
think of another writer who could have brought it off...' The
Scotsman |
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Set in London in 1399, The Clerkenwell Tales depicts
a world not that dissimilar from our own, positing a popular cult
around the ‘mad’ nun, Sister Clarice, whose visions of
earthly doom capture the public imagination. Meanwhile, a group of
religious terrorists plan five acts of violence to occur at five key
sites in London. And within this group, there is a second, secret
group with another agenda still – to dethrone King Richard II,
and crown his cousin Henry Bolingbroke in his place. But what does
Sister Clarice know of all this? And what does it have to do with
the murder of a merchant, or the sadomasochistic rituals in Latin
between a canon and his yeoman? And how are any of these characters
connected to the religious reformists in Avignon, who have appointed
a rival pope?The Clerkenwell Tales is a medieval thriller par excellence,
as vividly colourful as a stained-glass window, and by turns vaudeville,
noir, and historical burlesque.
Material: Finished copies (213 pp)
Sales: Chatto & Windus UK; Nan A Talese USA; Editions
Philippe Rey France; Edhasa Spain; Meulenhoff NL; Knaus Verlag Germany;
Zysk Poland; Livanis Greece;Teorema Portugal; Alkim Turkey.
ALBION: THE ORIGINS OF THE ENGLISH
IMAGINATION
'Albion is an explosion, full of particles whizzing
through air...Crammed, digressive, learned, brilliant.' Daily Telegraph
'Ackroyd covers not only literature but art,
architecture, music and almost everything else that has passed through
the minds of the English. Just one damn interesting thing after another.'
Sunday Times
Possibly Ackroyd's
most ambitious project yet, ALBION maps the creative psyche that
has evolved in England from the Anglo-Saxon period to the present.
Featuring myriad examples from Beowulf to Tolkein,
from mystery plays to drag acts, ALBION posits a mindset defined
by topography: is the green and pleasant land of England responsible
for almost all of the ghost stories ever written, and why, in
literature, is this land so saturated by endless, driving rain?
What are English virtues? Does the humour now owe much to Anglo-Saxon
riddles? An elaboration of a culture with a deeply rooted yet
protean identity, this dazzling book draws on themes elaborated
throughout Ackroyd's career, reaching new and inspired conclusions.(516
pages)
Sales: Chatto & Windus UK; Nan A Talese/Doubleday
USA; BB ART Czech Republic; Tygodnik Powszechny Poland. |
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'The only possible reaction is to sit back,
applaud a triumph and read it again.'Daily Telegraph
'Albion is his masterpiece.'The
Herald, Glasgow
LONDON: THE BIOGRAPHY
'Marvellous - the book about London.'
A.N Wilson, Daily Mail
'Ackroyd's superbly crafted, learned, intelligent
London is the best monument the world's capital could have. It is absolutely
wonderful.' John Simpson, Books of the Year, Daily Telegraph
'...fizzes with vitality and originality.'Sunday
Times
The long awaited work that matches subject and author perfectly.
No one should or needs to read any other book on London. Much
of Peter Ackroyd’s work has been concerned with the life
and past of London and here is his definitive account of the
city. For him London is a living organism, with its own laws
of growth and change, so his LONDON is a ‘biography’
not a history. Anecdotal, brilliant and wonderfully entertaining,
LONDON is animated by Ackroyd’s concern for the close
relationship between the present and the past as well as by
what he describes as the peculiar ‘echoic’ quality
of London whereby its texture and history actively affect the
lives and personalities of its citizens.
Material: Finished copies (822 pp)
Publishers: Chatto & Windus UK; Nan A Talese Books
USA; Knaus Germany; Frassinelli Italy; Stock France; Edhasa
Spain; Olga Morozova Russia & Innostranaya Literatura Magazine
Russia; BB Art Czech Republic.
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Praise for LONDON: THE BIOGRAPHY
'An erudite labour of love, a fan-letter to
a fabulous city, and a book one suspects Ackroyd was destined to write.
It illuminates the English character, and is darkly humorous in it's
detail, tumbling through centuries crowded with legendary events and
eccentric observations, as exuberant, energetic and alarming as the
city itself.'Independent on Sunday
'His masterwork...A rich torrent of remarkable
lists, bizarre anecdotage, stink, press and clatter, the gestures of
the street, the violence and the cruelty, the beauty and the energy
of this greatest and most horrible of cities. It is just fantastic.'
Andrew Marr, Books of the Year, Daily Telegraph
'Peter Ackroyd has written an episodically
brilliant book. No one gets London quite as well as he. The biography
is a kind of love poem to the city which shaped Ackroyd's imagination
and granted him one of the most distinguished literary careers of the
late 20th century.' Kathryn Hughes, The Sunday Telegraph
'Here is something wonderful - 'the London
of labyrinth, half of stone, half of flesh', the London Peter Ackroyd
was born to write about... You will not find a better, more visionary
book about a place we take for granted .. if you want to know it better,
to see it with your eyes wide open, then Ackroyd is your indispensable
companion.'Peter Preston, The Observer
'A rich dish, this is Ackroyd's masterwork,
a definitive tale of the city'.Conde Nast Traveller
‘The best known of all remarks about
London is Samuel Johnson’s aphorism: “When a man is tired
of London, he is tired of life”. The same could be said with equal
justice of any reader who finds no pleasure or instruction in Ackroyd’s
book.’ Spectator
THE PLATO PAPERS
On ritual occasions, Plato, the orator, summons the
citizens of London to impart the ancient history of their city, dwelling
particularly on the unhappy era of Mouldwarp (AD 1500-2300). He lectures
on The Origin of Species by the 19th century novelist Charles Dickens
and on Sigmund Freud; whilst providing a glossary of 20th century terms,
and explaining such early myths of creation as 'super-string theory'
and 'relativity'. But then he has a dream, or a vision, or he goes on
a real journey (opinions are divided) and enters a vast underground
cavern, where citizens of Mouldwarp London still live. On his return,
Plato shares his stories of this lost world, but his words spread consternation
among his felloe citizens and they quickly put him on trial for corrupting
the youth with his lies and fables.
Praise for THE PLATO PAPERS (1999)
'A marvellous fable of our times … funny,
wise and strange … He writes like an archangel … Ackroyd
has written what we always knew that he alone of his generation could
produce: a timeless, literary masterpiece.'A.N Wilson, Daily Mail
'Articulate, comic, wise, delicate, melancholy,
exquisite … a carefully-pulsed breath of a book with an impact
that sneaks into one’s dreams.'Independent
Sales: Knaus Germany: Edhasa Spain; Teorema
Portugal; BZZToH Holland; Chajak Korea; Stock France;Chatto UK; Nan
Talese USA; Polirom Romania; Alma Lithuania; Zysk Poland; Livanis Greece;
Inostranka Russia
PETER ACKROYD'S BRIEF LIVES SERIES
'...this series is understated and elegantly
constructed, and has that re-assuring quality of tone you find in an
author who could have written a book five times as long on the same
subject, but who has chosen not to.' Saturday Guardian
POE: A Life Cut Short
Edgar Allan Poe's life (1809-1849) was Gothic, mysterious, theatrical,
fatally flawed, original, dark, dazzling, satirical, inventive - in
short, an ideal subject for Peter Ackroyd. Concise, dramatic and immensely
readable, this is an essential and idiosyncratic addition to Ackroyd's
canon of brilliant biographies.
Edgar Allan Poe served as a soldier and began his literary career composing
verses modelled on Byron; soon he was trying out his 'prose-tales' -
often horror melodramas such as "The Fall of the House of Usher."
As editor of the "Literary Messenger" he was influential among
critics and writers of the American South. His versatile writings -
including, for example, "The Murders in the Rue Morgue" and
"The Raven" - continue to resonate down the centuries. Peter
Ackroyd's biography of Poe opens with his end, his final days - no one
knows what happened between the time when friends saw him off on the
steam-boat to Baltimore and his discovery six days later dying in a
tavern. This mystery sets the scene for a short life packed with drama
and tragedy (drink and poverty) combined with extraordinary brilliance.
Poe has been claimed as the forerunner of modern fantasy, and credited
with the invention of psychological dramas (long before Freud), science
fiction (before H.G. Wells and Jules Verne) and the detective story
(before Arthur Conan Doyle). Tennyson described him as 'the most original
genius that America has produced'.
He influenced European romanticism and was the harbinger of both Symbolism
and Surrealism. Peter Ackroyd, who places significance on Poe's childhood
(his travelling actor parents were miserably poor, his mother had TB
and he was orphaned), claims that Poe found his family among writers
- writers not only of his time but of the future generations who were
influenced by the power of his imagination.
‘Wonderfully rewarding … Poe's brilliant, erratic,
abbreviated career stands to gain rather than lose from the form of
brief life patented by Ackroyd. A short biography is not a long one
shrunk. Instead of patiently accumulated details, emotional complexity
and architectural shaping, it operates by lightning strikes, atmospheric
colouring, impressionistic techniques of concision and suggestion. ‘
Guardian
‘There is a relentless quality to Peter Ackroyd's book.
The unfaltering rhythm of his prose, the repeated phrases and devices,
suggest a claustrophobic sense of inevitability. Poe's difficult nature
and the economics of the US literary scene in the first half of the
19th century combine in Ackroyd's hands to create a trap from which
every escape leads to unhappiness... The result is unsettling but hugely
powerful. ‘ Times
'Ackroyd is clearly fascinated with his subject. He makes the
reader want to re-read Poe, and indeed to read more of Ackroyd on Poe.’
Scotsman
Material: Finished copies (UK publication February 2008)
Sales: Atena Finland; Editions Philippe Rey France.
Already published in the series:
CHAUCER
‘Chaucer, is a natural subject for Ackroyd. He was a man in the
thick of late 14th-century society: a diplomat, customs officer, court
official, member of parliament, justice of the peace. He served three
kings, and it speaks highly for his negotiator’s talents that
he was liked by all of them. He went abroad, and it was on trips to
Genoa and Florence that he may have come across the works of Dante,
Boccaccio and Petrarch that so influenced his own. And he spent much
of his time in London. Ackroyd is never better than when describing
how the suburban egg- and bread-sellers crowded in each morning through
the arch of Aldgate, above which Chaucer lived; or when, in an obscure
court case, he can give Chaucer’s own account of a stroll one
morning down Friday Street. ‘ Times
TURNER
'Gets closer to the heart of Turner than a book ten times as long. Everything
seems pertinent, vivid and miraculously revealed. Ackroyd has a sure
instinct for what matters.' Mail on Sunday
NEWTON
‘This is a wonderfully writerly book, never less than elegant
in construction and execution, and the product of a lifetime's reading
and research. Most important of all, Ackroyd knows how to tell a story.
His Isaac Newton is a strange man indeed: emotionally wounded by parental
neglect and step-parental disregard in childhood, a difficult, wilful,
hypersensitive narcissist in adulthood, but equipped with this extraordinarily
original and elastic imagination that allowed him to venture intellectually
where no man had gone before. You really get a sense of his intense
solitude: he is the only man of his time clever enough to know what
he is doing, and yet he feels intensely threatened by even the smallest
criticism. In particular, the rivalry with Robert Hooke is beautifully
coloured in. And the maths is explained with considerable skill and
the lightest of touches. ‘ Spectator
Material: Paperback copies
Sales: Chatto & Windus UK; Nan A Talese/Doubleday USA; Editions
Philippe Rey France
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PETER ACKROYD was born in London
in 1949. He achieved a Double First at Cambridge and studied
in America at Yale as a Mellon Fellow. His first two publications
were books of poetry; his first biography was about Ezra Pound
and his first novel was about Oscar Wilde. He is a successful
novelist, author of such classics as CHATTERTON, HAWKSMORE,
THE LAST TESTAMENT OF OSCAR WILDE and has also written biographies
of T.S. Eliot, Dickens, Blake and Thomas More. He has written
and presented several TV series for the BBC (including Dickens
and London).
Author photo by Walter White www.walterwhite.co.uk |
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