
The seaside is easy to imbue with a mythic significance. Its
allure is
visceral – we are an island after all – but also deeply cultural. From
today's perspective, and with our knowledge of their subsequent fate,
resorts from the 1950s have the look of
a prelapsarian realm ... Perhaps
every trip to the beach as an adult is an attempt to recapture lost
innocence, or at least to
feel as carefree as a child
At the start of the 1700s we had the sickest royals in Europe. An enterprising doctor began to peddle the notion that the sea water in Scarborough was the cure.
A century later in Brighton, the Prince Regent was pioneering the idea of the dirty weekend: the seaside as a place of escapism and fantasy. Travelling from Blackpool to West Wittering, Travis finds donkeys and Dracula, Austen's satire and Brighton Rock's razor gangs, mods and eco-tourism, Billy Butlin and Basil Fawlty and discovers that English attitudes to just about everything - class, humour, modernism and identity - were forged by our relationship with the seaside.
Descending from a line that pioneered pirate-themed eateries and shell-shaded electric lamps, Travis grew up in Worthing.
'In this brilliant book, Travis Elborough does a wonderful job of analysing the history of our masochistic love affair with the seaside.
It would have been so easy for this book to have been stitched together
from a few light-hearted anecdotes culled from some casual reading. But Wish You Were Here is much more than that. Elborough, who grew up in
the West Sussex resort of Worthing in the Seventies, has done his
research thoroughly and writes with enormous wit and feeling. His book
punches far above its weight in both style and substance.'
Kathryn Hughes Mail On Sunday
‘Elborough is an English nostalgist in the mode of John Betjeman, and
his new book is about the tacky, wistful, sticky, glitzy, gloomy heap of
deckchairs, boarding houses, pinball machines and glitterballs we call
the English seaside. Elborough, who was raised in Worthing, in West
Sussex, is more interested in the culture of the seaside than its
history, and as a cultural commentator he is a terrific companion. Wish
You Were Here is quirky, chatty, charming and optimistic – an ideal
read for the English beach.’ Frances Wilson Sunday Times
'Elborough shows a subtle understanding of the charms and allure of the
seaside holiday. Perhaps, he reflects, "the true magic of the seaside
is that its pleasures are individual and fleeting." Meticulously
researched and trenchantly expressed, Wish You Were Here is as bright
and breezy as a trip on a pleasure steamer.' Daily Mail Book of the Week
'Elborough's overview of our lasting love of fish and chips, Brighton
rock and paddling is the perfect beach book.' Marie Claire
'Technically, Travis Elborough is a cultural historian, although that
seems too pompous a phrase for such an amusing and sprite-like writer.
He is the author of entertaining histories of the Routemaster bus, and
long-playing records. He is attracted to a certain kind of minor key
Englishness, poised between dowdy and romantic. Teddy boys, the Shipping
Forecast, caravanning … all would be good subjects for Elborough. Here,
he chronicles our love (or otherwise) of our seaside, and his elliptical
approach, his wit, and the exuberance of his prose marks this book out
from a hundred others on the same subject. Timely, bittersweet beach
reading for a nation that is, once again, "all at sea".' Andrew Martin Sunday Telegraph
Sceptre UK.

For sixty years, since the arrival of the long-playing record in 1948, the album has been providing the soundtrack to our lives. Our record collections, even if they’re on CD, or these days, an iPod, are personal treasure, revealing our loves, errors of judgement and lapses in taste. But the format that delivered everything from the challenges of bebop to the aural wallpaper of easy listening via the omnipresence of The Beatles, the absurdities of prog rock and the supposed iconoclasm of punk, is now an endangered species. In the age of the iPod when we can download an infinite number of single tracks, does the concept of the album still mean anything?
‘Excellent. Moves easily and persuasively from classical to jazz, from comedy to documentary history.’ The Independent on Sunday
‘Compelling. Charming, funny and fascinating.’ The Telegraph
‘Richly enjoyable. Elborough has the passion of a true enthusiast.’ Mail on Sunday
‘A love letter to the LP.’ Scotland on Sunday
Sceptre UK
Soft Skull US
Material: finished copies.