Sabino's stunningly brilliant second novel. In the first part the narrator demolishes any sense of morality one may think to find in the world of work. He's been commissioned to write an article on the world of work for a literary magazine. He mocks Max Weber, Marx and others who talked about dignity and transcendence through work - according to the narrator these are just ways to cover up the existential misery of employees as well as bosses. The narrator initially appears anti-Semitic but later declares himself to be a Jew. Actually, he is angry because his father left his Catholic mother and his only son in poverty, just after formally converting the little boy to Judaism. In the second part the narrator reveals that the magazine refused to publish his hilarious article but he continued writing nonetheless and the article became a book in which he tells of his hateful mother, how he failed to love two women, how bad he is as a writer, how dreadful being a journalist is - and how he moved to Rome after receiving a huge inheritance from his missing father. In the third and last part, he describes his 'dolce vita' in Rome. Here he meets a dazzling young Jewish woman who is involved in pro Palestinian activism. The narrator feels he has finally found love but nothing is as it seems and in the end he learns some very bitter truths. Sabino's novel intertwines literature, philosophy, history and religion to bring to the reader a complex and darkly comic picture of the modern world.
'Mario Sabino creates a seductive scoundrel in THE VICE OF LOVE. Such characters are rare, which is why we need them so much.' Folha De Sao Paolo
'In Mario Sabino's second novel, a stormy and tormented narrator makes up as he goes along, as a way to reveal. It's healing by writing.' Veja
'THE VICE OF LOVE speaks of the indifference and cynicism that mark the ruins of the new millennium.' Estadao
Ambo Anthos NL
Material: PDF of finished text, with preface by João Pereira Coutinho; sample English chapters.
‘The day I killed my father was a bright day, although the light was hazy, without shadows or contours.’
So begins a work of suspense, tragedy, and profound reflections on the human soul that marks the unforgettable debut of Mario Sabino, one of Brazil’s most exciting novelists.
In charming and chilling prose, Sabino draws the reader directly into the mind of a man who has committed patricide. Readers will hang on every word of this bold and stark book, which calls on complex themes of religion, philosophy, and literature in seeking to understand the nature of evil.
Part psychological thriller, part intellectual puzzle, this novel plays on some of humankind’s most profound archetypes and fables, all the while lulling the reader with the brilliance of its voice.
‘Mario Sabino handles his subject with humour and imagination.’ Epoca
‘Mario Sabino’s book is a joy to read. There is nothing ‘difficult’ here - rather there is much food for thought.’ Veja
'You read it in one go because of the well crafted pregnant dialogue, the pace, the sharp insights, the refined build-up, and the black humour which is constantly aware of human weakness, and which at the end of the book becomes in a surprising way an almost-tenderness' Trouw
‘I couldn’t put the book down. Chilling and sad, even on the same page, this book is one of the best I have read for a long time.’ Readings Australia
‘Well written, conveying the sense of something splendid and ceremonial, and also a slow-motion dreadfulness. It is absorbing and at times quite funny, and it left me feeling decidedly spooked’. The Australian
Record Brazil (originating publisher)
Saida de Emergencia Portugal
Nuevo Extremo Argentina
Editions Metailie France
Ambo Anthos Holland
Scribe UK & ANZ
Munhak Soochop Korea
Jota Czech Republic
Material: Brazilian edition (224pp), Italian, Spanish and Australian editions.